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Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.
……丹尼尔·戴-刘易斯,薇诺娜·瑞德,保罗·斯科菲尔德,琼·艾伦,布鲁斯·戴维森,罗伯·坎贝尔,杰弗瑞·琼斯,皮特·沃恩,Karron,Graves,查莱宁·伍德拉德,弗兰西丝·康罗伊,Elizabeth,Lawrence,乔治·盖恩斯,玛丽·帕特·格里森,Robert,Breuler,蕾切尔·贝拉,艾什丽·佩顿,Tom,McDermott,John,Griesemer,迈克尔·加斯顿,William,Preston,Sheila,Pinkham,凯利·罗查,Taylor,Stanley,Lian-Marie
罗宾·威廉姆斯,小库珀·古丁,安娜贝拉·莎拉,马克斯·冯·叙多夫,赵家玲,卢辛达·珍妮,马特·塞林格,朱恩·卡里尔,沃纳·赫尔佐格,埃莱娜·卡多纳,詹姆斯·科纳,亚历山大·卡内拉科斯,瓦内萨·罗斯,Phaedra,Neitzel,Clara,Thomas,Tom,O'Reilly,Kellan,Patrick,Scott,Trimble